We don’t play the same way higher up on the neck as we do lower on the neck. Not only does it get you moving out of a position on the neck, it also impacts your playing. It’s a simple concept, but it’s really useful. Using this position in both octaves we can play a lick something like the following: We can take these shapes and make a lick out of them like the following:Īnother simple idea is to take the same lick in the same position and move it to the second octave (above the 12 fret) on the fretboard.įor example, take a look at the following diagram that outlines the 5th position of the A major pentatonic scale below and above the 12th fret. ![]() These octave shapes traverse the first 3 positions of the A major pentatonic. It’s as simple as taking the same lick and playing it an octave higher.įor instance, take a look at the following diagram that outlines 3 octaves of the root, 3rd, 5th notes. ![]() Playing in octaves is probably one of the easiest ways to move between pentatonic positions. You can also take any of your favorite runs that are contained within a single position and turn them into runs up the neck. The very nature of it gets you moving through the pentatonic scales up and down the neck. It can be applied to any position of the pentatonic and from any starting point in the scale. This method isn’t confined to a particular position. Now we can take the same lick from the vertical example, apply it horizontally and get the following pentatonic run up the neck:
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